The best Robert De Niro performances, ranked

Today, August 17th, is the 76th birthday of one of the greatest actors of all time. His career spans his early work with Martin Scorsese in the 70s to his more recent supporting turns in David O. Russell’s films. His roles have become iconic- lines, scenes, and moments have become so indelible that they’ve etched themselves into popular culture permanently. He needs no introduction, and yet I’ve given him one anyway because that’s just how great of an actor he is. So here are the top ten performances of the one and only Robert De Niro.

10- Jackie Brown (1997)

My initial feelings on De Niro’s role as Louis Gara in Jackie Brown (and the movie in general) were lukewarm. the further removed I get from it, however, the more I appreciate it. In ways similar to Casino (not on this list. That movie sucks.), Jackie Brown features De Niro in an against-type performance. His character here is more timid than you typically get from him. Louis is a unique character in the film for that reason. Every other character is a typically Tarantino-esque, suave, smooth talker that’s always thinking ahead. Louis is pretty much a loser. He’s responsible for many of the best and most shocking moments in the film (parking lot scene, above) that don’t belong to Samuel L Jackson’s character. He’s a welcome presence in the film, and an interesting part of De Niro’s career.

9- The Godfather part II (1974)

If the thing that sets the first Godfather movie apart is the presence of Marlon Brando, the thing that helps its sequel is De Niro (in the same role, fittingly enough). He won his first Oscar for his portrayal of Vito Corleone in his younger years. The most impressive thing about this part, in my opinion at least, is that almost all of his lines are in Italian. Additionally, he does a truly excellent job of maintaining the character that Brando established in the first film. Whenever he’s on screen, the film revolves around him. It takes skill to build on such an iconic character and make it your own, and that’s what De Niro does here.

8- The Untouchables (1987)

Enthusiasms, enthusiasms. What are mine? What draws my admiration? What is that which gives me joy? That would be De Niro’s brilliantly over the top performance as Al Capone in Brian De Palma’s crime classic. He’s unfortunately not in the film that much, but when he is the quality skyrockets. Which is saying a lot considering how great it is. De Niro delivers every line with an insane bravado that completely makes the movie and creates several classic scenes (I wanna go there in the middle of the night AND PISS ON HIS ASHES, etc.). There may be more nuanced performances in De Niro’s filmography, but I’m not sure if there are any that are this fun.

7- Mean Streets (1973)

Harvey Keitel may be the star of Scorsese’s early masterwork Mean Streets, but De Niro steals the film with this completely bonkers turn. Here he plays a lunatic that doesn’t quite resemble his later roles in The King of Comedy and The Untouchables, but possesses an air of sheer madness that might make you think he’d make a good Joker. This film served as the starting point for his career and a stunning breeding ground for talent (David Proval, Richie Aprile on The Sopranos, is here, as is David Carradine) that remains fascinating to watch today, especially because of De Niro.

6- The Deer hunter (1978)

The Deer Hunter is a staggering, massive, emotional epic that is sure to resonate deeply with any viewer. Everyone here is in top form. Christopher Walken gives his best performance ever (the Pulp Fiction fan in me hates to say that, as does the Annie Hall fan in me), John Savage is tremendously and impeccably broken, and Meryl Streep is Meryl Streep. De Niro is the center of it all. He’s responsible for the most intense moments the film has to offer (russian roulette with more bullets), some of the most resonant (his return home from the war), and some of the saddest (NICKYYYY). He displays a brilliant range over the course of one film. He undergoes one of the greatest transformations in cinematic history (maybe even the second best in the movie). It’s an epic performance that perfectly suits the epic film.

5- Cape Fear (1991)

Never in his career has De Niro simply been this scary. He brings a palpable menace to every scene, even when he’s being outwardly friendly. His scene with Juliette Lewis, where he poses as her drama teacher, is one of the best scenes of his career. The above scene in the movie theater is a classic. He’s the second best thing about one of the best remakes in cinematic history (the best being the Simpsons episode that parodies it, obviously). He simultaneously oozes evil and charisma in a way he’s never typically done. Similar to the way he expands upon Brando’s Don Corleone in Godfather 2, he builds his own character on top of Robert Mitchum’s in the original.

4- Goodfellas (1990)

That is all.

3- The King of Comedy (1983)

There are elements of Travis Bickle in Rupert Pupkin, De Niro’s unhinged title character. In fact, it could be said that he’s the anti-Bickle. Whereas Bickle’s worldview is dark and nihilistic, Pupkin is an eternal and relentless optimist and opportunist. Bickle’s obsession is with (as he sees it) making the world a better place, Pupkin sees the world as a perfect place already: he wrongly views it as a world where anyone, himself included, can make it. In this way, The King of Comedy is maybe a more cynical film than Taxi Driver. It’s occurring to me that this would be better as a full-length post, so I’m gonna stop for now. De Niro absolutely owns in this movie, and that’s really all there is to it.

2- Raging Bull (1980)

In Raging Bull, De Niro creates a character so repulsive and awful that it’s incredible just how empathetic you become with him. We revel in LaMotta’s victories and suffer with his lows. De Niro creates a character with so much depth, but whose only emotion at all times is rage. This is what drives his every action, his every explosion, his every fight. Raging Bull is a boxing movie in two ways- there’s the actual boxing, and there’s LaMotta’s tragic and constant fight with everyone in his life. De Niro here is a person who is constantly fighting, that’s his nature, that’s all he can do. And De Niro does it so well that it completely makes the movie.

1- Taxi Driver

When I started this post, it occurred to me that I’d have to pick between Raging Bull and Taxi Driver for the top spot. I thought I’d go with Raging Bull, but when I thought about it, I decided that Taxi Driver was the true number one. Travis Bickle is one of the greatest characters in the history of American fiction, and he couldn’t have been without De Niro (who improvised his most iconic scene). This role singlehandedly created an entirely new character archetype- “God’s lonely man”, which has been seen in the likes of last year’s terrific First Reformed and Jake Gyllenhaal’s character in Nightcrawler. But nobody (although Gyllenhaal and Hawke are both fantastic) has pulled it off quite like De Niro. His insanity here is not below the surface and malicious, it’s well-intended and right there for the world to see. This is a man who has nothing to lose. This is a character of unbridled depth and a performance of unparalleled skill. This is De Niro’s greatest contribution to film, to art, and to the world as a whole. Decades later, it’s the crowning achievement of one of the best careers in film history.

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The greatest scores in movie history

A great score has more power to make a film great than almost anything. Think about Spielberg’s masterworks: Jaws, Raiders of the Lost Ark, Jurassic Park. The odds are pretty good that music popped into your head. Think about the shower scene in Psycho, a scene so iconic that it only needs those three words to appear in your head. Now think about the music that goes with it. That’s what makes a score great- when it transcends its role and becomes an essential part of the viewing experience. Here are some such scores, ranked in objectively correct order (except probably not).

Really quickly- an honorable mention to Nicholas Britell’s score for If Beale Street Could Talk, the best score of last year. Completely robbed of the oscar. Also a best picture nod. Go watch this film.

10- Jurassic Park (John Williams)

John Williams is gonna be pretty represented on this list. 4 out of the 10 entries are his scores (and 4 out of the 6 scores on the list composed by people named John). His Jurassic Park score is as iconic as the rest of them- the theme song is perfect for the atmosphere of wonder Spielberg conjures up in the beginning of the film. It’s one of Williams’ best themes, which as you’ll see, is saying a lot.

9- Halloween (John Carpenter)

Creating one of the most iconic and terrifying villains in horror movie history is no small feat, and it probably couldn’t have been done without the brilliant theme that director/composer John Carpenter cooked up. Extra points for the fact that Carpenter himself did it, he’s done a lot of his own scores throughout his career. The most notable exception is probably The Thing, which was scored by Ennio Morricone, who makes this list multiple times and very nearly made it for his truly excellent Thing score. Said score, by the way, was nominated for a razzie award. Wild.

8- Raiders of the Lost Ark (John Williams)

One of the most legendary action and adventure films of all time holds that position because of its score. Try to imagine the boulder scene with any other music. You can’t. Physically impossible. It’s around this point that I’m realizing that my argument for Morricone being better than Williams in terms of film score composers is in bad shape.

7- The Untouchables (Ennio Morricone)

Here he is! The legendary Ennio Morricone’s career has spanned decades, culminating in his long-overdue first Oscar win for The Hateful Eight in 2016. One of his career highlights is the 1987 Brian De Palma film The Untouchables. Morricone uses his score to add excitement to action sequences, menace to Robert De Niro’s indelible Al Capone, and overall further one of the greatest gangster films of all time.

6- The Godfather (Nino Rota)

Speaking of all time great gangster movies, here’s The Godfather, a film that certainly needs no introduction. It’s one of the most perfect films of all time, right down to the ionic theme music. Watching The Godfather for the first time, you realize that the hype is all true the moment that theme kicks in for the first time.

5- Jaws (John Williams)

Jaws has to be one of the most well-known films of all time, and yet the thing it’s most known for, the most ubiquitous aspect of it in popular culture, is the theme. It’s the go-to for any situation in which something is approaching something, or something scary is about to happen. It’s as used as the Jeopardy theme. It wouldn’t be a bad bet to say that like 90% of the world’s population knows it. When I write “Duuuuh nuh” the odds are good you think of Jaws, and that’s why it’s an all time great score.

4- There Will be Blood (Johnny Greenwood)

There Will be Blood is a film about greed and its destructive power over people. Director Paul Thomas Anderson conveys this through haunting imagery, brilliant writing, and a career best performance by one of the greatest actors of all time. But none of it would really work without Radiohead guitarist Johnny Greenwood’s score. Famously ineligible for an oscar nomination, the score is unique among ones on this list in that there’s no one piece of music that jumps to mind. It works because it’s perfectly suited to the film, it complements it incessantly and continuously drives it forward. It’s an overpowering score, creating an atmosphere so totally essential to one of the greatest films of the 21st century.

3- Star Wars (John Williams)

HEEEEEEERE’S JOHNNY! Williams’ highest entry on this list is his only listed one not in collaboration with Steven Spielberg. It gets this ranking simply because of how linked it is to such an iconic film. In short, without this score, there is no Star Wars as we know it today. And without Star Wars as we know it today, the movie world (and actually, probably, real world would be quite different. Nobody tell Danny Boyle.

2- Psycho (Bernard Herrmann)

There are no words for how hard is was not to put this at number one. This score changed everything. It was the first time music was fully entwined with drawing emotion out of the audience. The shrieking strings in the shower scene are legendary, featuring prominently in every one of the many (many) parodies of it. The theme that plays over the opening credits is iconic. It’s the best work the legendary Bernard Herrmann ever did, and he did the scores for Citizen Kane, Vertigo, and Taxi Driver, among other things. He also did the score for Twisted Nerve, which is only notable because the theme is the song that Elle Driver whistles in Kill Bill. So the guy is a legend. And Psycho still stands out as his greatest achievement.

1- The Good, The Bad, and The Ugly (Ennio Morricone)

Ennio Morricone’s legendary score for Sergio Leone’s masterpiece The Good, The Bad, and the Ugly gets the top spot on this list for a few reasons. It’s the only score on this list that I felt absolutely required two videos, and it’s the only score ever that I have listened to on spotify (it came up as suggested and I decided to go with it). It completely makes the film, which would be great otherwise but not nearly on the same level. The legendary final scene (one of the best ever) wouldn’t be the same without it. It features The Ecstasy of Gold (second video above), which is one of the rare pieces of film music to transcend its film and become used regularly in other ways. The theme is absolutely iconic. The whistles are so famous that hearing them reveals to anyone what movie is being watched. It’s impossible to imagine the film with any other score, and that’s why it’s number one.